Choreography

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	Jasmine has made a number of works over the last twelve years for mainstream and community venue in the U.K. and in South Africa.
2002	I'd rather go to Deptford than Faliraki - performed by Dance-Ability at the Albany, Deptford, 2nd August 2002. Produced in collaboration with the Laban Centre London, as part of the the Art of Regeneration Summer Arts College - 2002.
2001	Woza Moya, (Calling the Wind), was choreographed by Jasmine when she was invited to be guest choreographer at The Playhouse Theatre, Durban, KwaZulu Natal, South Africa. The work was peformed several times as part of the production of African Eagles.
2000	We Can Get There From Here for Magpie Dance Company in collaboration with Krazy Kat Theatre Company.
1999 1998 1997	Dancing In The Streets Street Theatre for Magpie Dance Company made in collaboration with Krazy Kat Theatre Company. Photograph: Phil Polglaze
1998 1997 1996	Six pieces for Somerset Dance Connections: 1998 : It's A Game of Two Halves performed at The Brewhouse, Taunton; 1998 : Re-enactment of The Battle of Babylon Hill of 1642 in Yeovil. 1997 : All You Need Is Love; Going Places; Here Comes Summer 1996 : High Tide
1996	The Ugling for Fuse Youth Dance Company at Theatr Clwyd, Mold.
1995	Re-choreographed Wha Mek John Crow a-sing? for Magpie Dance Company at The Royal Albert Hall for CCPR Gala, with soprano Alicia Carroll and electronic tape.
1994	South Bank Centre choreographic commission for the Millenium Festival, based on the 1930's installation by Those Environmental Artists. Come In The Water's Lovely for iDC integrated dance company from Plymouth.A collaboration with sculptor Andrew Carnie. Photograph: Adam Eastland
1994	Havin' Our Cake and Eatin' It for Magpie Dance Company Gala at the Churchill Theatre, Bromley co-choreographed with Rachel Elliott.
1994	What is the Truth? choreographed for a production at Emmanuel Middle School based on the poem by Ted Hughes.
1994	Energy For Fuse Dance Company, Theatr Clwyd, Mold.
1993	Wha Mek John Crow a-sing? for Magpie Dance Company at South Bank Centre Ballroom Blitz Festival, in collaboration with poet in residence John Agard and leading Australian didgeridoo player Richard Walley. Photograph: Phil Polglaze
1993	Us for Scottish Youth Dance Festival in Dundee
1993	Going Places for iDC, performed at the Barbican Theatre, Plymouth
1992	No Turning Back for iDC, performed at the Barbican Theatre, Plymouth
1989	The Lincoln Imp made for the Special Olympics and performed at the Phoenix Theatre Leicester, and at the Gainsborough Arts Centre.
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